December is always an
exciting time for media lovers and list lovers alike. Its a time to revisit all
those things (albums, books, films, concerts, plays, etc.) that we loved and
obsessively turn those things into lists. So during this relative dry period,
in terms of new music releases, go back and revisit the best that 2012 had to
offer. I will be revealing my top 50 songs of the year over the next few days.
Once again, I've followed my rule of one song per artist to give the most
complete possible picture of music in 2012.
50. Beach Fossils – Lessons (Shallow/Lessons 7”)
There have been a host of dream pop/shoegaze inspired pop
punk bands that have come along recently and Beach Fossils are one of the
finest among them. While this is by no means their best work (see “Youth”), the
riffs are catchy and it was perfect for those bright days of summer spent in
Brooklyn.
49. Mumford & Sons – I Will Wait (Babel)
The new Mumford & Sons album is a derivative and
uninspired album that at times sounded like bad Dave Matthews Band (see “Lover of the Light”). However, “I Will Wait” was a big bright spot; catchy,
passionate and reminiscent of the finest moments on the far superior Sigh No
More.
48. Hot Chip – How Do You Do? (In Our Heads)
Sometimes we just need to dance; Hot Chip obliges.
47. The Mountain Goats – Cry For Judas (Transcendental
Youth)
I totally missed the boat on The Mountain Goats in high
school but as I’ve become wiser and more mature with time, I’m beginning to
recognize the genius in Darnielle’s sharp-witted lyrics. “Cry for Judas” is brilliant throughout but the highlight comes when Darnielle sings “mistreat your
altar boys long enough/and this is what you get”.
46. The Magnetic Fields – Andrew in Drag (Love at the
Bottom of the Sea)
For me, The Magnetic Fields strike out just about as often
as they hit. But when they hit, my goodness is it brilliant. Stephen Merritt
tells the hilarious story of falling in love with Andrew when he’s dressed as a
woman but being heartbroken when he realizes that “he did it as a gag”.
45. Twin Shadow – Five Seconds (Confess)
George Lewis Jr. is vanity personified (just look at that album cover) and his new album unabashedly explores the vast narcissisms of his
“romantic” exploits. Musically, the album is heavily influenced by the 80s and “Five Seconds” is where the best aspects of Twin Shadow come
together in perfect harmony.
44. The xx – Angels (Coexist)
The main criticism of The xx’s new album Coexist is that its so minimalistic it might as well not
exist. For the most part this is completely accurate. But on “Angels”, the
minimalist instrumentation is the perfect backdrop to this pure testament of
unwavering love.
43. Delta Spirit – Yamaha (Delta Spirit)
On their new album, Delta Spirit departed from their Americana
roots and began to really experiment with a lot of different sounds. The
results were decidedly mixed but on album closer “Yamaha” Matt Vasquez and Co.
created a consummately beautiful song about growing up and being willing to
compromise and even change for the ones that you love.
42. Field Report – Fergus Falls (Field Report)
Christopher Porterfield is a former compatriot of Justin
Vernon in their band DeYarmond Edison. After the dissolution of that band in
2006, Porterfield spent the next five years composing the album that would
eventually become his self-titled debut. Album opener “Fergus Falls” is the
finest representation of those five years of hard work.
41. Action Bronson & Alchemist – Sylvester Lundgren
Featuring Meyhem Lauren & AG Da Coroner (Rare Chandeliers [Mixtape])
Alchemist’s beat is reminiscent of the finest east coast
gangster rap of the early to mid 90s (think Havoc of Mobb Deep). Every rapper’s
verse goes hard and with no hook in sight, this song is an excellent homage to
better times.
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